Tuesday
Mar092010
mikejones.tv
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Posts
- Narrative, Genre and Distribtuion. Haunting Melissa gets intimate.
- Trust, Proof & behind-the-scenes of Wastelander Panda
- Movies that play with the future
- Storyworld Studio: There is Nothing easy about interactive multiplatform development.
- Inciting Willfulness: 'Conation" & Interactive Entertainment
- Storyworld, Gameplay, Narration - Doha Workshops
- Storytelling across platforms - Gabe Newell vs JJ Abrams
- Showrunner and Writers Room in Australian TV Drama
- Screenworks Storyworld Seminar
- Australian Content Quotas & Convergence Report - Right Cause but perhaps Wrong Argument
- Theres Nothing New about New Media - Episodic Adaptation and Epistolary Narrative
- The Digital 360 Lab
- Interactive Narrative at the National Screenwriters Conference
- Transformation & Dramatic Stakes in Interactive Narrative
- Storyworld & Immersion before Plot & Platform.
- Storyworlds: Memories, Rituals and Emotional States
- Active Audiences and User Journeys
- Storyworld Plot & Dramatic Questions
- Some years are better than others...
- Storyworld Characters: Goals, Obstacles, Role-Play
- Immersive Writing Lab – Storyworld Writing Competition
- Interactive Media Innovation
- Development, WebTV & People You May Know
- Mythology of Horror: the story that wont go away.
- Dystopian, Post-Apocalyptic & Science Fiction: Aussie SF New Wave
- Screenplay with a Plan: Guilds, Breaking-In & Writers Statements
- The Good Stuff - Interactive, Digital & Multiplatform.
- Talking about Interactive Narrative
- Clarity, Credibility and Crowd-Sourcing
- Red Carpets: 10 Festival Directors in One Room
- Storyworlds, Immersive Media, Narrative & Museums
- Video Game Narrative - GoodGameTV
- Process and pitfalls of writing immersive narratives
- Immersive Writing and Role Play
- Online & Episodic. Distilling Webisodes, Webseries, WebTV
- Why some bloody cuts are better than others.
- AWGIE Awards, Horror stories & the culture of Writers.
- There's nothing Passive about 'traditional media'
- Narrative Imagery: 5 conversations to have Before talking camera gear
- New Media Writers and the role of the Writers Guild
- What is a Broadcast? The challenge of Writers Guilds.
- Of Horror films and AWGIE awards
- Wastelander Panda - Finding the Human in the Animal
- Transmedia. It's not a brand. It's not a campaign. It's not fucking advertising!
- Television and remembering what TV really is.
- Cinematic Normalisation: the Shape of Things to Come @ Sydney Film fest
- Crowd-sourcing Fragments of Friday
- Aerial View: putting the Kine back into Kinema
- Immersive, Interactive and Digital - The Literary Conference
- Interactive Storytelling at the Sydney Film Festival
- Lessons from the Immersive Writing Lab
- Words, the Mind and Metaphor
- Visual Style in The Wire & David Bordwell's Dellusion
- Hitchock's 'Rear Window' as Spatial Timelapse
- BlackMagic Restores my faith in Humanity and Camera Technology
- The Thriller Storyworld
- The Newsroom - HBO, Sorkin & Ken Finkleman
- Five films to show to an Alien
- Hollywood's war on technology
- Dramatising Exposition
- VFX Breakdown
- Dear Esther reboot. Is this a game? Am i Playing?
- The film industry career flow chart
- Creating Episodic stories that Connect with Audiences
- A Storytelling Platform for the Digital Age
- The Power of Metaphor
- 5 lessons from Stanley Kubrick
- Gaming needs a new controller
- Underwater
- Breaking Bad and the 99%
- Transcending Plot
- The rise and appeal of episodic stories
- Storyworlds & Big things to come
- GoPro cameras and Underwater Perspective
- Marriage Equality and the Power of the Screen
- Reflection on WebSeries Development Programme
- Newtown Girls Webseries
- People You May Know Webseries
- Celtx Shots - Mobile Storyboarding & Shot Planning
- Storyworld Dramatic Questions
- TV that's about something - David Simon lecture
- There's life in indie filmmaking yet
- Cinema. Style or Mistake?
- Re-writing the History of Movies
- Are all creative works about their creators?
- Graduate Course in Screen Culture - 10 Quotes
- Panorama - Diorama: 3D tools for the 2D Screen
- Giant Lace Tsunami Hovers over Sydney
- Willy Wonka defying conventional story wisdom
- Start acting like an Amateur if you want to be a Professional one day
- A perspective on the future present
- The History of Cinema in 5 Films
- Cross-Platform, Multi-NLE, Tape-Less Transcoding Workflow Tips
- Transmedia Showrunners and Digital Characters
- Virtual Camera on an Epic Scale
- Free-Will is a myth. How Bioshock puppeteers player as cinematographer.
- Storyworld Pressure Cooker & the Immersive Writing Lab Storyworld Competition
- Underbelly Razor & the virtue of a non platform specific storyworld
- Wim Wenders' 3D film is ill conceived
- Gamification is Bullshit!
- The Future of Documentary
- Transmedia: confusing Style with Story
- The Wire - Metaphor and Prologue
- Cinematic Metaphor
- Spatial Analysis of the Shining
- Screen Drafts, Story and Shared Genius
- ScreenFutures Presentation: Drafting WebTV
- Onscreen Drafts, Development & Episodic WebTV
- The Series Development Bible (v2)
- Arthouse-Thriller & the absurdity of 'Hanna'
- FCPX and Long overdue logic of Evaluation
- The Case for More Film Adaptations
- The Visual Curves of Stories
- What people are saying about FCPx
- FCPx - Why I cant stomach giving money to Apple.
- What the fuck is my Transmedia Strategy..?
- What do Jane Austen & Half Life2 have in common?
- Skaters on Fire
- Roger Ebert, Video Games and a lesson in Film History
- Screen Studies: Then and Now
- The Tunnel is great but its Aspect Ratio is absurd
- Source Code and Transcendent Science Fiction
- Blip.TV site relaunch is good for WebSeries Creators
- What is America? Through History Philosophy and the Gun
- Game Graphics vs Aesthetics: a much needed shift of attention
- Horror Movie: Scary Circumstance vs Scary Idea
- Mapping a Storyworld Timeline
- Web-series myths + the flaw of media specificity
- Anti-intellectualism vs Academic self-absorbtion
- Feature Films are a Curse
- New FCP X is really Not So New
- The Problem with 'STORY'
- Transmedia Storytelling is Bullshit...
- The Power of Point of View
- Setting, Background and Story-World
- Screen Production Development Techniques with Celtx
- Bad Medicine: Screenwriting courses that might be bad for you
- Perspectives on the Death of Stereo3D
- The History of Science Fiction
- Future Tense Science Fiction
- Unearthing the Subtext in Game Narrative
- Subtext - Secrets and Lies (part 2)
- Subtext - Secrets and Lies (part 1)
- The Chemistry of Dramatic Storytelling
- Episodic Appeal - patterns of serialised stories
- Me and Celtx and New York City
- Screenwriting and the periodic table of MadMen
- TV, Plot and the Method of Consumption
- Good editing is Not invisible
- Product Placement
- Anti-intellectualism to the left, self-absorption to the right.
- ClipSketch Software - Invention is the mother of necessity
- My Writing Software Toolkit
- Digging deeper into games
- 'Monsters' + why I'm sick of people who don't like movies.
- Montage, Collage, Decoupage - Podcast
- Half Life Fan-Fiction brings back the Passion!
- Architecture, Cinema and the Sublime
- Biblical Proportions: Guide to Developing the TV Series Bible
- Surveying Media Habits (am I abnormal?)
- Getting specific about Theme, Concept + Premise
- VFX Compositing - Montage, Collage and Decoupage
- Web Stats that astound and terrify
- Santa Clause Horror Film: Considering 'Rare Exports'
- Fears and Questions of Science Fiction
- "Great for the Web": Are your eyes painted on?
- History of 3D Stereoscopic imagery
- The Web isn't one big lump: millions of markets of thousands of people.
- Got a great idea for a film or TV script? Come and Bounce it!
- Star Wars is NOT Science Fiction. Mad Max is NOT a Road Movie.
- Online TV, Webisodes and Jihad
- The director is dead: TV and the New Auteur
- Everything a short film should be...
- Not So Special FX: theorising visual normality
- Science Fiction, SF and Genre Mixup
- Deadwood: Stakes, Metaphor & Circumstance
- Joss Whedon live talk at Sydney Opera House
- Where is the viewer? composing frame and space.
- Video Game Taxonomies
- Metro 2033: book + game
- Why so Serious? 'Serious-Games' is a weasel word that’s bad for gaming.
- Space Game Camera
- The fear of horror films
- Cinematic Story-Patterns and Genres
- The Short Film is Dead: Time for the Emerging Filmmaker to Get a New Calling Card
- Science Fiction for Screenwriters
- Space Game Camera - Conference keynote
- Breaking Bad, the dramatic cauldron
- From Sandpit to Cinema : Charting the spectrum of Story vs Narrative.
- INFOGRAPHIC: newspaper industry death
- Why Heavy Rain sucks...
- CS5 Plays Nice with Others
- INFOGRAPHIC: game strategy guide
- The I-Pad is cynical backward step
- LUMINA - Australian journal of screen arts and business
- Diegesis, Mediation and Presence…
- Game Probe Ep7 - Dear Esther
- INFOGRAPHIC: 3rd act twists
- Camera in Motion - Mode Means Method
- Writing is Thinking - Drama is Failure
- Cinema and the art of magnification
- INFOGRAPHIC: timelines in film and tv
- The shape of story - data and drama
- INFOGRAPHIC: noir ominus lighting
- How, Not if... drama, video games and TV
- Five Dramatic Truisms
- INFOGRAPHIC: future entertainment
- Puppeteering the pointless third-person
- Most computer games aren't games at all...
- Why are we here? Looking back and looking forward
- What does 'Professional' really mean?
- A survey of video tutorials for university students
- The genius of why George Lucas is a a Hack!
- Why do we watch a dog taking a dump on the lawn?
- Game Ethics: Remaking Endings
- Movie Mosaics and Close-Examination
- Gaming Cinema
- District 9 and Return on Investment
- Off Topic: I hate 'marketing'...
- Process, Spatiality and Aesthetics in SciFi cinema
- SciFi Cinema
- Stereo3D - creative boon or desperate financial ploy?
- The 'film look' is a Crock, Shallow depth-of-field is Banal and Rack focus is Lazy. Would all you indie filmmakers please Get Over It..!
- Why Capture the moment when you can Select it..?
- A functional defintion of cinema
- Internal perception - Game Probe
- Insight: cinema process and practice
- Loving digital for its beauty not just its practicality
- Colour Grading - concepts and paradigms
- Film Schools and Technology
- Asking REAL questions - the company line and journalist sycophancy
- Bad Cinema Presentation
- Ian Hunter - Visual FX coordinator presentation
- Re-thinking story? Where is the Dramatist? Go ask the Editor.
- Seeing the big picture : Movie Mosaics
- Consoles are for Pussies
- So bored with feature films
- Editing Trends and Culture
- The Colour of Cinema Narrative
- Theatrical-Release Feature-Film is Irrelevent...
- Farcical techno-debates over 'professional quality'
- The Belgrade Manifesto - Profound or Indulgent?
- I Love the Look of Video
- Legitimizing the filmmaker with an audience
- Screenwriting Self-Help
- Musing on the nature of Creative Professional
- Not my Job..! Media production roles
- Spaced Out - Screen Sound Space
Tuesday, March 9, 2010 at 9:03PM
cc Mike Jones - Attribution-Noncommercial-No Derivative 3.0 - 2002-2012
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